Tuesday, 11 November 2014

Soul Boys of the Western World (2014)

Spandau Ballet

From Wikipedia, the free encyclopedia
Spandau Ballet
Spandau Ballet in Concert, Liverpool Echo Arena.jpg
Spandau Ballet in 2009
Background information
OriginIslington, London, England
GenresNew waveblue-eyed soulsophisti-pop,synthpoppop rock
Years active1979–1990, 2009–present
LabelsChrysalisMercuryEpic
Websitewww.spandauballet.com
MembersTony Hadley
Gary Kemp
Steve Norman
John Keeble
Martin Kemp
Past membersSee "Early Members"
Spandau Ballet /ˈspænd ˈbæl./ are a British new wave band formed in London in the late 1970s. The band initially was inspired by, and an integral part of, the New Romantic movement, becoming one of the most successful groups to emerge during the New Romantic era.
The group's debut single "To Cut a Long Story Short", which reached No. 5 in the UK in 1980, was the first of 10 occasions in the 1980s that the band reached the top 10 of the UK Singles Chart. It had a UK No. 1 one single in 1983 with the song "True." It also had four which reached the top 10 of the UK albums chart between 1980 and 1990. The band split acrimoniously in 1990, but reunited in 2009.

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Formation and early successes[edit]

The band was formed in 1976 and was originally called The Cut, with Gary Kemp and Steve Norman on guitar, later saxophone and percussion. Kemp and Norman were both attending Dame Alice Owen's SchoolPotters Bar, and were close friends, as they shared a similar interest in music and a common desire to form a band. They were joined by fellow student John Keeble, who met Norman when he stored his drum kit in the school's music room; the three met regularly at lunchtimes to practice. Keeble was followed by bass player Michael Ellison. Tony Hadley, who knew Norman, then joined as lead singer. After a few months, Richard Miller replaced Michael Ellison on bass, before Kemp's younger brother, Martin Kemp, finally took over the role, joining the band a couple of years later. By this time, the band had already gained some live experience. Steve Dagger, a close school friend of the band members, was then asked by Steve Norman and Gary Kemp to manage them. He was to be an integral part of the band's success.
The band changed its name to the The Makers in 1976 as a punk band and played at the Roxy in the early years.[1] In 1978 they became a power pop band and changed the name to Gentry and played a small number of gigs, including at Kingsway College. They later changed the band's name to Spandau Ballet after a friend of the band, journalist and DJRobert Elms, saw the phrase 'Spandau Ballet' scrawled on the wall of a nightclub lavatory during a visit to Berlin.[2] This name refers to Spandau Prison and the many hangings there, especially in 1945-46 of Nazi war criminals, when the victims would twitch and jump at the end of a rope. The expression "Spandau Ballet" was also slang used by Allied troops in the trenches in the First World War referring to the twitching of the corpses hanging on the barbed wire and repeatedly hit by Spandau machine gun fire from the German lines.[3] The new Spandau Ballet, with Martin Kemp and Tony Hadley, began performing with this name and generating a positive buzz around London. Their music before then was in the style of the early Rolling Stones or The Kinks, but became more electronic as they began to hang out in clubs such as Billy's and Blitz, where they would listen to bands like Kraftwerk and Telex. The Blitz was regarded as the New Romanticism.
The band was involved in a major bidding war, but eventually signed to Chrysalis Records and released "To Cut a Long Story Short," produced by the electronic musician Richard James Burgess. Released just 10 days after the band emerged from the studio to meet the huge demand created by the buzz they had established, "To Cut a Long Story Short" was an instant British top 5 hit in 1980. This was followed by hits with "The Freeze,, "Musclebound" and the well-received and Gold-certified album Journeys to Glory in 1981. The sound of Journeys to Glory was typified by chanted vocals, a splashy snare drum sound, strongly rhythmic guitar parts and a lack of guitar solos; the hallmarks of what would become known as the New Romantic sound and the sound of the early 1980s.
The follow-up album, Diamond, also produced by Burgess, was released in 1982. This album was certified Gold by the BPI and featured the funk-flavoured single "Chant No. 1". The band had Burgess remix every single from both albums for inclusion on each single's B-side and for 12-inch club releases. These mixes were later released as a boxed set. However, times were changing. The second single from Diamond was "Paint Me Down," which broke their run of top 20 hits by stalling at No. 30, and the third single, "She Loved Like Diamond", failed to make the UK Top 40 at all.
Trevor Horn remixed the track "Instinction," which was released as the fourth single from the album. The explosive, bombastic remix, which was backed with a special dance remix of Chant No. 1 on the 12-inch single version was very well received, and returned the band to the UK top 10 after the poor chart performance of its previous two singles. Both the 7-inch and 12-inch single featured the well-crafted ballad "Gently" on the B-side, which has never appeared on any album or compilation released by the band. The group had initial success in the United States when "Chant No 1" peaked at No. 17 on the dance charts in 1981.[4]

International fame[edit]

With a slicker, more pop sound, the band released its third album, True, produced by Tony Swain and Steve Jolley, in March 1983. It was at this point that Steve Norman began playing saxophone for the band. The album topped the charts all around the world and launched several international hit singles, such as "Gold" and the title track which reached No. 1 in several countries.
The follow-up album, Parade, was released in June 1984 and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave," also became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between two studio albums and celebrated its five years of success.
In 1986, Spandau Ballet signed to WEA/Universal and CBS Records and released Through the Barricades, which saw the band trying to move away from the pop and soul influences of True and Parade and more toward rock. The album, the title track and the single "Fight For Ourselves" were big hits in Europe and Australia, but not in the United States.

20-year hiatus[edit]

Break-up[edit]

After a hiatus from recording, during which the Kemps established themselves as credible actors in the gangster film The Krays, the band released Heart Like a Sky in September 1989.
The album was not widely released (not at all in the United States) and was for the most part disregarded. It did, however, do well in Italy, where its singles "Raw" and "Be Free with Your Love" reached the Top 10[5] – and in the Netherlands.[6] Afterwards, Spandau Ballet, from whom Gary Kemp was already feeling estranged, split up.

Solo projects[edit]

Martin Kemp went on to land an acting role in the UK soap opera EastEnders, while Tony Hadley tried to establish a solo career. Gary Kemp did a little more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard, and in 1995 he released his only solo album, Little Bruises.
In the 1990s, Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's song-writing royalties.[7][8] Although initially vowing to appeal against the verdict, they later decided against this.[9] The three non-Kemp members toured as a trio, but as they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts, and that company owned the rights to the name of Spandau Ballet, they had to tour under the moniker of Hadley, Norman and Keeble, ex-Spandau Ballet.
After leaving Eastenders, Martin Kemp continued acting in various high-profile projects as well as appearing on TV in other guises. He also wrote and directed his first film, "Martin Kemp's Stalker." Gary Kemp wrote songs with Paul Stratham, who had previously written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals "Begbug" and "A Terrible Beauty" with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Tony Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue".

Reunion[edit]

Reunited Spandau Ballet performing at Berlin Fashion Week in January 2010
In early 2009, there was much speculation that the band was set to perform later that year.[10][11][12] Although the band did not initially comment on these reports, the official Spandau Ballet website encouraged fans to sign up "for an exciting announcement," [13] fueling rumors that a reunion was imminent. Jonathan Ross mentioned during his BBC Radio 2 program on March 21, 2009, that the band was re-forming and that he had been invited to the reunion party.[14]
The band eventually confirmed the rumors at a press conference on March 25, 2009, on board HMS Belfast in London (a return to the venue of one of their first gigs) to announce their comeback tour.[15] The band began a world tour in October 2009, starting with eight dates across Ireland and the UK, the first of which was in Dublin on October 13, 2009. The tickets for the UK and Ireland shows went on pre-sale on the official Spandau Ballet website on March 25, 2009. These then went on general release on March 27, 2009. For the general release tickets, the London O2 arena tickets sold out within 20 minutes and an extra two dates were added there because of demand.[16] The band also announced an extra date in Birmingham and added Liverpool to the tour. Members gave their "first public performance and interview anywhere in the world for 19 years" on Jonathan Ross's BBC television show Friday Night with Jonathan Ross on 24 April 2009.[17]
On October 19, 2009, the group released a new album, Once More, which featured reworked versions of previous songs plus two new songs, including the single of the same name.
Virgin Media honored Spandau Ballet as the Best Comeback of 2009 in the Virgin Media Awards.[18]
Spandau Ballet went on an Australian tour in April 2010 with Tears For Fears.[19] After a headline set at Isle of Wight Festival, the group played their last UK show of the Reformation Tour at Newmarket Racecourse on 25 June 2010.[20][21]
The band has since come together again in 2014 to promote a documentary about them and 1980s culture more broadly, Soul Boys of the Western World, which premiered at the Royal Albert Hall. It was directed by longtime Julien Temple producer, George Hencken.[22] Band members attended South by Southwest (their first public appearance in North America since 1985) and Cannes Film Festival to drum up support for the film.
It was confirmed on July 31, 2014, that Spandau Ballet was working on new material in the studio with Trevor Horn.[23][24][25][26]

In popular culture[edit]

The song "True" has been sampled in many songs, most notably P.M. Dawn's "Set Adrift on Memory Bliss" in 1991 and Lloyd's "You" in 2007.
Academy Award-nominated actor Edward Norton appeared on the ABC sitcom Modern Family as Izzy LaFontaine, a fictional bass player/backup vocalist for Spandau Ballet ("between Richard Miller and Martin Kemp"), in the episode "Great Expectations."[27]
The song "True" is featured at the end of the movie The Wedding Singer sung by Steve Buscemi's character.

Members[edit]

Current members
Early members
  • Michael Ellison – bass
  • Richard Miller – bass

Discography[edit]

Awards and nominations[edit]

Q Awards[edit]

The Q Awards are hosted annually by the music magazine Q. Spandau Ballet has received one award.
YearRecipientAwardResult
2009Spandau BalletThe Q IdolWon

BRIT Awards[edit]

The BRIT Awards are the British Phonographic Industry's annual pop music awards. Spandau Ballet has received one award from one nomination.[29]
YearRecipientAwardResult
1984Spandau BalletThe Sony Award For Technical ExcellenceWon

Ivor Novello Awards[edit]

The Ivor Novello Awards are awards for songwriting and composing, presented annually in London.
YearRecipientAwardResult
2012Gary KempOutstanding Song Collection[30]Won

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