Friday, 11 November 2016


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X (Ed Sheeran album)

From Wikipedia, the free encyclopedia
X cover.png
Studio album by Ed Sheeran
Released20 June 2014
Ed Sheeran chronology
The Slumdon Bridge
Singles from x
  1. "Sing"
    Released: 7 April 2014
  2. "Don't"
    Released: 24 August 2014
  3. "Thinking Out Loud"
    Released: 24 September 2014
  4. "Bloodstream"
    Released: 11 February 2015
  5. "Photograph"
    Released: 11 May 2015
x (pronounced "multiply") is the second studio album by English singer-songwriter, Ed Sheeran. It was released on 20 June 2014 in Australia and New Zealand,[7] and worldwide on 23 June through Asylum Records and Atlantic Records.[8] The album received positive reviews from music critics. It has become an international success, peaking at No. 1 in fifteen countries, while topping both the UK Albums Chart and the US Billboard 200x also reached the top 5 in seven other countries and was the best selling album of 2014 in Australia, New Zealand, Ireland, and the United Kingdom. Five singles were released from the album: "Sing", "Don't", "Thinking Out Loud", "Bloodstream" (a collaboration with Rudimental), and "Photograph".
The lead single, "Sing", was a major international success. It became Sheeran's first UK number-one single and peaked inside the Top 10 in several other countries.[9] The second single, "Don't", was also a worldwide success. It peaked at No. 8 in the UK and number 9 on the US Billboard Hot 100.[10] The album's third single, "Thinking Out Loud", was a massive international success, peaking at No. 1 in 12 countries, and the top five in 12 more. It became Sheeran's second UK number-one single and has been certified 3× Platinum, with sales of over 1 million copies in the UK. "Thinking Out Loud" also became Sheeran's biggest hit in the US to date, peaking at No. 2 on the Billboard Hot 100. It has been certified 4× Platinum, with sales of over 4 million copies in the US alone. The albums fourth single, a remix to "Bloodstream", peaked at No. 2 on the UK Singles Chart, becoming the fourth-consecutive single from x to hit the top 10 in Sheeran's native country. "Photograph" was released as the album's fifth and final single. It gave Sheeran his fifth consecutive top ten single from the album in Australia and New Zealand, peaking at numbers 9 and 8, respectively. "Photograph" also met international chart success, peaking inside the top 10 in ten countries.
In December 2014, Spotify named x the most-streamed album in the world for 2014, racking up more than 430 million streams for the year.[11] x has been certified 8× Platinum in the UK with sales of over 2.5 million copies, making it one of the best selling albums in the history of the UK, and the sixth best-selling album of the decade in the UK.[12] The album has been certified 3× Platinum in Canada, 6× Platinum in New Zealand, and double platinum in the US, with sales of nearly 2 million copies in the US. It also became the first album ever to be certified Diamond in Australia. Also, x broke Adele's record for the longest charting Top 10 album in the history of the United Kingdom.[13] In 2015, x won the Brit Award for British Album of the Year, and at the 57th Grammy Awards it was nominated for Best Pop Vocal Album and Album of the Year.



Background and recording[edit]

Around the time his debut album, +, was released in 2011, the first songs for Sheeran's second album were written, "One" being the album opener,[14] and another which eventually became a bonus track.[15] Sheeran wrote with Johnny McDaid, from Snow Patrol, in hotel rooms while supporting them on the North American leg of the band's Fallen Empires Tour, in 2012.[15] He also wrote with Northern Irish musician and frequent tourmate, Foy Vance, penning multiple potential songs for the album.[16] Sheeran decided against releasing his second album in 2012, deciding instead to follow in the footsteps of fellow British acts like Adele and One Direction who had "broken America".[17] In Autumn 2013, Sheeran performed three sold-out nights at Madison Square Garden, finishing two and a half years on tour to focus on recording his new album.[18]
In a behind the scenes tour video, it was revealed that he was in the studio with producers, Rick Rubin and Pharrell Williams,[19] who were later confirmed in interviews to be contributing towards the album. The album was due for release on 17 February 2014, but Sheeran got "the opportunity to work with Rick Rubin for two months, which [he] wasn't going to say no to", which led to a delay.[20]Having written "hundreds" of songs, Sheeran entered the studio with Rubin and they cut that down to the 15 new songs that are feature on the album, excluding "I See Fire", which was recorded separately and saw release on the soundtrack for The Hobbit: The Desolation of Smaug.[21] Sheeran stated that he "started off making another acoustic record, and it turned into a neo-soul-funk record," due to the influence of working with producers like Rubin and Benny Blanco that "pulled [him] out of [his] comfort zone." Getting into the studio with Rubin to "rerecord all the songs" after two years of writing them made the songs sound "raw and interesting", at a time when Sheeran was getting tired of them,[22] giving him a chance to "actually set up the album instead of just putting it out."[20] However, doing an entire album with Rubin "just wouldn't work on pop radio", so after working with Rubin he wrote the songs, "I'm a Mess", and "Thinking Out Loud", both about his girlfriend at the time, with a different producer.[17] Jake Gosling, who co-wrote and produced the majority of Sheeran's debut album, has no writing credits on this album, while new collaborators include Snow Patrol's Gary Lightbody and British drum and bass band, Rudimental.[23]

Music and lyrics[edit]

"One" was the first song Sheeran wrote for the album, and is "particularly quiet".[24] Written on a guitar made out of wood from a whisky barrel in a hotel room whilst on tour inPerth in 2011, the song was the last song written about the love interest that was the focus of the previous album.[14][17][25] "I'm a Mess" was one of the last songs written, after the recording sessions with Rubin. It is one of two songs written about his then-current girlfriend. It is described as a simple song, and was "written in the shower." [17][26]
In an interview with Zane Lowe for BBC Radio 1, promoting the first single, "Sing", Sheeran talked about getting in the studio with Pharrell and him "playing [Sheeran] a lot of things, and then it stuck on this one riff," which eventually became the basis of the track. He stated he has always been a fan of R&B, but was just "trying to find the right way to make it."[27] Sheeran expressed wishes to create an entire album with Pharrell, and "Sing" was to be a song for that project, but several musical peers, including Elton John,Taylor Swift and Pharrell himself, urged Sheeran to release it with X.[17] Justin Timberlake's debut album, Justified, was a favourite of Sheeran's, which he consciously tried to channel for "Sing".[28] On working with Pharrell, Sheeran told MistaJam on BBC Radio 1Xtra that they had written two other songs together that were in the style he "usually did", but for "Sing" he was pushed "out of [his] comfort zone" which made the track stand out. Pharrell reportedly said that he wanted to "shake the world's view of [Sheeran] up" and make pioneering songs that no singer/songwriter has done before rather than just "a cool record".[29] A remix of the track has been made with Korean recording artist Psy, and the music video for the song was based on a night out with the artist.[30]
"Don't", which is about a girlfriend who cheated on Sheeran with a close friend, has been linked to several of Sheeran's fellow singers, including Ellie Goulding and Taylor Swift, but Sheeran has said it is "100 percent not about Taylor", but that he has played her the song, and she "never want[s] to piss [him] off that much."[31] After much speculation, Sheeran confirmed the song to be about Goulding, in an interview with The Sun. Sheeran has claimed to have forgiven Goulding.[32] It started off "as a riff on his phone".[33]"Don't" was planned to be released as the first single from the album, but it was decided that the chorus, especially the line "Don't f- with my love," was not suitable for a first single. The song was recorded first with Benny Blanco, then again with Rick Rubin, and the two producers came together to produce the final cut.[25] The song almost didn't make it onto the album, as Sheeran felt it was "a bit personal", but was urged by those who had heard the demo to release it, as it was "an alright song... so it ended up on the record."[34]
"Nina" was written with Johnny McDaid, and was the first song the pair wrote for the album. According to McDaid, it is a "self-deprecating" love song about "heartbreak... where he basically calls someone up and advises her not to be with him."[25]
"Photograph", also written with McDaid whilst touring with his band Snow Patrol in May 2012, is a "timeless ballad". Sheeran plays "photograph" with careful piano keys and acoustic strums and carefully adds in arenasize drums. It started life as a "piano loop playing on [McDaid's] laptop" which Sheeran started singing along to.[33] Sheeran has stated "it will be the one that will change my career path", and believes it to be the one song that will sell the album, even "if the rest of the album is shit."[17][35] Described as "[Sheeran's]Angels", the song is a "ballad with big drums, set in New York."[23]
"Bloodstream" is about Sheeran's experience of taking MDMA during a friend's wedding party in Ibiza.[36] "Tenerife Sea", first played in demo form at Sheeran's sold out Madison Square Garden shows, is "trademark acoustic balladry". Sheeran wrote the song about his mother. Ed told the media that his mothers eyes were crystal blue - "the most beautiful eyes I had ever seen" - and that's what this song was based on. "Runaway" is the second and final track from the album that is produced by Pharrell Williams. Described as "finger-clicking", it draws from the same influence, the sound of Justin Timberlake's debut album, that "Sing" does. Sheeran intended for the song to feature on a future project with Pharrell, but it was put on the album when he was persuaded to include "Sing".[17][23][26] "The Man", produced by long-time collaborator Jake Gosling, features Sheeran rapping in a style similar to that of Mike Skinner from The Streets.[23] The song focuses on a failed relationship, whilst touching on the subjects of marriage, chemical dependency and his career in the music industry.[37]
"Thinking Out Loud" was the last song written for the album, and it is also Sheeran's favourite. Written about Sheeran's then-current girlfriend after the recording sessions with Rick Rubin were over, it is a "soul" song, and Sheeran "pinned [it] as the 'walking down the aisle' song."[7][17][26] He described it as "the only happy song on the album", and he wrote it in his kitchen.[38] "Afire Love" was written about Sheeran's grandfather "two weeks before he passed away". He had suffered with Alzheimer's disease for twenty years, and Sheeran has been thinking "What if [he passed away]? And then he did."[33] Sheeran finished writing the song at his funeral.[17] It explains the aftermath of his death, with his family reuniting for the funeral, and explains the deep love between his grandparents.[39]
"Take It Back" is the first track exclusive to the deluxe edition of the album. In it, Sheeran claims not to be a rapper, whilst delivering four rapped verses. In the same vein as previous single "You Need Me, I Don't Need You", he talks about "his personal struggles and his rise to fame."[40]
"I See Fire", the final track on the electronic deluxe edition (the physical deluxe version has a seventeenth track, "All of the Stars", the song used in the credits for the film The Fault in Our Stars), was previously released on the soundtrack for the second installment of The Hobbit film series. Sheeran was asked to write the song for the closing credits by the film's director, Peter Jackson, whose daughter was a fan of his work. After flying to New Zealand to watch the film, he wrote the majority of the song in a single day, performing all the instruments, apart from the cello, including a violin, which Sheeran taught himself to play for the song.[41] The track was produced by Sheeran himself, and mixed in Abbey Road studios by Peter Cobbin and Kirsty Whalley.[42] It was released on 5 November 2013 as the first single from the soundtrack.[21]
The album was to originally include profanity, most notably in the songs "Sing", "Don't" and "The Man", however a taxi driver convinced Sheeran to censor the album due to his young daughter being a fan. As a result, the album does not bear the Parental Advisory: Explicit Content sticker.[43][44]

Artwork and packaging[edit]

In a live webcast on YouTube, Sheeran stated that he "feel[s] every single one of [his] records should have a theme that runs through it, even if it's just a colour. The first one was orange, throughout, everything [he] did was orange. This one's going to be green throughout, and everything [he does] will be green in terms of artwork." He cited Coldplay as an influence for this, as they keep with the image of each album they release "for the next two years".[15]
The physical versions of the album come packaged in a green jewel case.[45]


The countdown to the unveiling of the first single was posted on Sheeran's Facebook page, but it was accidentally announced early by Zane Lowe that he would have the first play of "Sing" on 7 April 2014, as his "Hottest Record in the World". The song was played twice in a row, and Sheeran discussed the album and working with Pharrell to produce the single.[27] Sheeran performed "Sing" and "Don't" live for the first time on Saturday Night Live on 12 April 2014.[46] He then went on to do an exclusive acoustic performance of "Take It Back" on SB.TV on 16 April.[47] Sheeran later performed "Sing" on 27 April at the 2014 Logie Awards held annually in MelbourneAustralia.[48] On 2 May, the singer released an acoustic version of "One" on his YouTube channel.[49] The song was given away on 16 May to people who had preordered the album on iTunes.[50][51][52][better source needed] On 5 May, Sheeran played three "Multiplyed" gigs, starting at the Steamboat Pub in Ipswich, going on to Koko in London, and finishing in Dublin, where his entire show was streamed live on his website.[53][54][55] The next day, he played a session for BBC Radio 1 at their Maida Vale studios, where Zane Lowe made a live rendition of "One" his "Hottest Record in the World".[56] Sheeran stated that until the album was released, he would play very few new songs live, as fans "want to hear the hits", but once it is released he will play a lot more new songs, as "that's going to be what people want to see."[57]
Sheeran played "Sing" on Later Live... with Jools Holland on 20 May, and showcased songs from the record on the extended version on 23 May, including the TV debut of "Thinking Out Loud."[58] His live performance was exactly three years since his last appearance on the show.[59][60][61][62][63][64] Sheeran performed "Sing" on the finale of The Voice, alongside a duet with contestant Christina Grimmie of his song "All of the Stars", which features on the soundtrack for The Fault in Our Stars.[65][66] MTV announced that a behind-the-scenes documentary of Sheeran's life, titled 9 Days and Nights of Ed Sheeran, was being filmed, to be aired 10 June. The show would "show every aspect of [Sheeran's] life" while he is on tour, "with extraordinary intimate access to Sheeran", something he has never done before.[67][68] Taylor Swift and Pharrell Williams appeared in the feature.[69] After the music video for "Sing" was released, which featured a puppet version of Sheeran wearing a pair of Beats by Dre headphones,[70] it was announced that Sheeran, and his then unreleased song "Don't", would feature in the advert for the latest Beats by Dre headphones, the Solo II.[71] On 5 June, Sheeran appeared in the BBC Radio 1 Live Lounge for Annie Mac, performing "Sing" and a cover of Sam Smith's "Stay with Me", both with a live band.[72] "Don't" was serviced to US contemporary hit radio on 15 July 2014 as the album's second official single.[73]

X Tour[edit]

To promote the album, Sheeran embarked on the X World Tour. He will hold several shows in Asia, Europe, North America, South America, Australia and New Zealand until December 2015.[74]
The special "Wembley Edition" was released on November 13, 2015. This edition includes bonus tracks and a DVD of the Jumpers for Goalposts concert film.[75]


"Sing" was released as the first single from the album on 7 April 2014 around the world, and 1 June in United Kingdom and Germany. The music video, released exclusively to Facebook on 22 May, features a puppet caricature of Sheeran on a night out in Los Angeles.[76] The single entered the Billboard Hot 100 at No. 15,[77] where it has since peaked at No. 13. It also became Sheeran's first number-one on the Australian ARIA Charts and in the UK, where it was released alongside a corresponding EP, which featured a live version of the track, a remix by Trippy Turtle and a new song, "Friends", that is not feature on x.[9][78]
"Don't", previously released on iTunes as the second "instant grat" promotional single, impacted US contemporary hit radio as the second official single from the album.[73] It has since sold in excess of 3 million copies worldwide, including 1,464,000 copies in the US alone.[79] It has peaked within the top-ten of nine international charts, including Australia, the UK and the aforementioned US. It then hit No. 9 on the Billboard Hot 100.[80]
"Thinking Out Loud", was sent to Oceanian radio on 21 September as the third single. The official music video was released on 7 October. The song was incredibly successful, selling in excess of 5 million copies worldwide as of April 2015. The song peaked at No. 1 on both the UK Singles Chart and the Australian ARIA Charts. Moreover, it peaked at No. 2 on both the US Billboard Hot 100 and the Canadian Hot 100. "Thinking Out Loud" also peaked within the top-ten in 27 more countries including New Zealand, Germany and India. The song became Sheeran's second million-selling single in the UK, following 2011's "The A Team"[81] Moreover, the song has sold almost 5 million copies in the US, being certified 5× Platinum. In September 2015, it became just the fifth single released in the 21st century to go 3× Platinum.
A remixed version of "Bloodstream" was released as the album's fourth single on 11 February 2015. The new version of the song was remixed by British drum and bass band,Rudimental and was released as a joint single. The song became Sheeran's fourth consecutive top-ten hit from the album by peaking at No. 2 on the UK Singles Chart.[81]
"Photograph" was released as the fifth and final single from the album. On 22 April 2015, Sheeran tweeted "My next single from multiply is Photograph. Wait til you see the video, it's a special one. Very excited". Photograph then hit No.2 on Twitter Top Track Charts and also in Billboard Hot 100. The song first charted for a week in December 2014. Even before the announcement of an official release, "Photograph" was certified Silver in the UK for selling in excess of 200,000 copies. The music video for the single was released on 10 May 2015.

Promotional singles[edit]

"One" was entered in the UK Singles Chart at No. 20 and entered the Billboard Hot 100 at No. 86.[82]
"Don't" was released as the second "instant grat" promotional single from the album on 13 June, ten days before the release of the album.[83] It debuted at No. 21 in the Canadian Hot 100 on the chart dated 28 June 2014, the top debut for that week.
Sheeran revealed that he would be releasing a track from the album every weekday in the week leading up to the release, as promotional "instant grat" singles available to those who had preordered the deluxe edition of the album on iTunes. The first of these was "Afire Love", released on 16 June, followed by "Bloodstream" on 17 June, "Thinking Out Loud" on 18 June, "The Man" on 19 June and "Photograph" on 20 June.[84][85][86][87][88][89]

Critical reception[edit]

Professional ratings
Review scores
The A.V. ClubB[90]
AllMusic3.5/5 stars[2]
The Daily Telegraph5/5 stars[91]
Drowned in Sound4/10[92]
The Guardian4/5 stars[93]
The IndependentNegative[94]
The Observer2/5 stars[6]
Rolling Stone3/5 stars[3]
Time Out3/5 stars[95]
USA Today3.5/4 stars[96]
Upon its release, x received positive reviews from music critics. The review aggregator website Metacritic assigns a "Metascore" to each album, which is based on the ratings and reviews of selected mainstream independent publications, and the release has a score of a 67 out of 100 based on 20 selected critics, indicating "generally favorable reviews".[97] At The Daily Telegraph, Neil McCormick rated the album a perfect five stars, commenting how the album is like a "vehicle for emotional veracity, personal revelation and universal inclusion."[91] Stephen Thomas Erlewine of AllMusic rated the album three-and-a-half stars out of five, remarking how Sheeran's usage of hip hop elements "keeps [the music] from being merely a bit of excellently crafted mature pop and gives it some appealing character."[2] Jon O'Brien of AllMusic said that the album "encompassed [Sheeran's] acoustic/hip-hop hybrid sound, but also had an R&B feel in places along with straight-ahead pop."[98] At The A.V. Club, Annie Zaleski graded the album a B, indicating how Sheeran is showing in his music that "growing up is messy and tough [...] but affirms that navigating life with maturity and confidence is possible."[90] Randall Roberts of Los Angeles Times rated the album two-and-a-half stars out of four, calling the music "Well-crafted, generous and willing to lay it on thick when necessary, but fun to be around nonetheless."[99] AtEntertainment Weekly, Melissa Maerz graded the album a B, commenting how even though Sheeran is "finally getting angry, taking aim at a pop-star girlfriend who slept with another guy" that "he's still a good boy after all."[100] Alex Petridis of The Guardian rated the album four stars out of five, highlighting how the artist is "confidently pushing at the boundaries of what he does."[93]
Jason Lipshutz of Billboard rated the album an 81 out of 100, and according to him, he "finds a hungry artist doing everything possible to elevate to another level, simply by abiding by his instincts."[101] At Q, John Aizlewood rated the album four stars out of five, describing how Sheeran's usage of many collaborators could have been "a potentially foolish move, but Sheeran pulls it off, chiefly because... his friends bend to him, not the other way round."[102] In addition, Aizlewood remarks how Sheeran has "used his success rather than been used by it,"[102] Brian Mansfield of USA Today rated the album three-and-a-half stars out of four, calling it one of those "rare album[s] that satisfies expectations while simultaneously raising them," which "showcases the sweet, achingly vulnerable songs" that is a hallmark of Sheeran's work.[96] At American Songwriter, Jim Beviglia rated the album three-and-a-half stars, cautioning how the release shows Sheeran in "somewhat of an identity crisis", yet "it's fascinating to hear him work out whether he's a hopeless romantic or just a guy who thinks romance is hopeless."[103] Gary Graff of The Oakland Press rated the album three stars out of four, stating how this release "expands his sonic palette".[104] At Newsday, Glenn Gamboa graded the album an A-, praising Sheeran because he "manages a remarkably difficult task [of] broadening his sound without losing the immediacy of his raw, intimate tales."[105] Sarah Rodman of The Boston Globe gave a positive review of the album, finding how Sheeran "comes into his own" with the release.[106]
At Rolling Stone, Jon Dolan rated the album three stars out of five, suggesting that "A better album title might have been XXX" and cautioning that the album has "plenty of oversweet ballad moments".[3] Jim Farber of New York Daily News rated the album three stars out of five, writing how "Sheeran can write a hummable tune and, clearly, has something young girls love even more than looks: heart." but had several criticisms including noting how his music was "milky bland", his lyrics "rote and soppy" and the album's sound as a whole was "unconvincing".[107] Writing for musicOMH John Murphy rated the album three stars out of five, noting how x will undoubtedly be another huge success for Sheeran, and if he can build on its good points, there could be an even better record lurking inside him as well", taking issue with the album's "huge reliance on epic sounding but bland ballad-anthems" which sound "calculated and a little bit cynical".[108] Kitty Empire of The Observer was unimpressed by the album, rating it two stars out of five, and stated Sheeran's writing "[doesn't] actually find a new gear for the love song, just new turns of phrase, at a push." and "has a broad palette but lacks depth". Empire posited that Sheeran "can't cut it as a leading man", ultimately concluding that "Sing" is quite easily the best song on x, probably because it sounds nothing like Sheeran".[6] At Drowned in Sound, Dave Hanratty rated the album a four out of ten; criticising the release because it "offers a few lively embers, but never quite ignites", noting that Sheeran lacks any kind of noteworthy identity and the majority of the album "is alternatively as generic and simpering as it gets."[92] The Independent was highly critical of the album; noting the lyrics as a "stolid plod through clichés" having a "serotonin-reducing effect"; and Sheeran and the album as "bleary", "so bland", "without wit or sex appeal" and "authentically uninspiring".[94]
ABC News' Allan Raible found Sheeran spent much of the album "trying to force the groove in the name of pop success," concluding that it was "a mixed bag leaning on the negative side of the equation."[109] Time Out noted his music was "cloying", ultimately rating the album three stars out of five, saying "There's enough awkward rapping and gooey-eyed sentiment here to put cynical listeners off." and any progression from his previous album was only "slight".[95] The Big Issue was equally scathing in their review, pondering "what the fuss is about" and noted people would "guffaw at his lyrical clunkers", concluding Sheeran's "curious mixture of cocksureness and self-pity is hard to stomach."[110] Lauren Murphy of The Irish Times said Sheeran had an "aptitude for melody" but criticised Sheeran for being "undeniably cliched" and "simply dull".[111] The Sunday Times praised the album as being "deftly assembled" but criticised his "cringe-inducing, rhyming-dictionary clunkiness", noting the album contained "little here is either daring or groundbreaking".[112] Detroit's Metro Times was highly critical, calling the record "torture", "embarrassing" and listening to the album for the review "proved a downright painful experience", ultimately concluding the album's best track was "only slightly unbearable".[113] The Scotsman noted "Sing" was "the tip of a pretty shallow iceberg" and was critical of Sheeran for being "a decent singer but essentially middle of the road".[114] The Edmonton Journal rated the album three out of five, noting with this release Sheeran was "desperately trying to shed his milquetoast image" and ultimately concluding the album as "insipid".[115] PopMatters rated the album six out of ten, acknowledging Sheeran as a "talented wordsmith [who] uses past experiences and stories and moulds them into money making songs that stick in your head for days" but noted some of his songs "lack originality and flare" and criticising Sheeran as "predictable and boring to see another singer songwriter talk about relationships and emotions".[116] In an essay for Pitchfork, Michael Tedder noted that Sheeran's "Nice Guy Brand promises the consumer that the lovelorn troubadour is sensitive, nerdy[...] and won't break your heart like those other boys. But one listen to x reveals that he's not as far away from the macho types that unapologetically trash hotel rooms as he'd like you to think". He also explained that Sheeran is yet to appear in a Pitchfork Year End List due his inability to write music that "reroute[s] your brain and make you like it even when you don't want to like it", ultimately concluding that Sheeran's songwriting is "an unholy alliance between Simply Red and G. Love and Special Sauce (but, like, really white)".[117]


Billboard5The 10 Best Albums of 2014[118]
Digital Spy5Top Albums of 2014[119]
The Daily Telegraph1Best 50 Albums of 2014[120]

Commercial performance[edit]

x debuted at number one on the UK Albums Chart, marking Sheeran's second number one album in the United Kingdom.[121] It sold 180,000 copies in its first week of release to become the fastest-selling album of 2014,[122] overtaking Coldplay's Ghost Stories. It stayed at number one for 12 non-consecutive weeks in the UK, the longest number one since Adele's 21 in 2011.[123] x was the best-selling album of 2014 in the UK, selling over 1,689,000 copies and going five-time platinum.[124] As of December 2015, the album has sold 2,660,000 copies in the UK.[125] The album spent 74 consecutive weeks in the top ten, surpassing 21's 71-week record.[13]
In the United States, the album became Sheeran's first number one on the Billboard 200, debuting at number one with sales of 210,000 copies. Furthermore, Sheeran marked the second largest debut for a pop album in 2014 and the fourth-biggest opening overall of the year.[126] In December 2015, the album was certified double platinum for shipments of two million albums by the Recording Industry Association of America.[127] It reached 2 million copies sold there in February 2016.[128] In Canada, the album debuted at number one on the Canadian Albums Chart; in its second week, the album remained at number one selling 7,000 copies.[129] It became the year's fourth best-selling album in Canada, having sold 133,000 copies over the course of the year.[130] x also spent eight non-consecutive weeks at number one in Australia and sold 490,000 copies. Until October 2015, the album had not left the top ten of the chart since its release.[131] In November 2015, x became the first album to be certified Diamond by the Australian Recording Industry Association, a newly created category that denotes over 500,000 sales.[132]
x spent more than two years (104 weeks) in the top 10 of New Zealand [133] and Ireland [134] and spent 21 weeks at No. 1 in the latter country with the last one being in its 120th charting week.[134]
According to the International Federation of the Phonographic Industry, "x" sold 4.4 million copies in 2014[135] and 3.5 million copies in 2015,[136] becoming the third and second best-selling album, respectively. Thus, it means the album has sold 7.9 million copies worldwide.

Track listing[edit]

x — Standard edition[45][137][138]
1."One"  Ed SheeranJake Gosling4:13
2."I'm a Mess"  SheeranGosling4:06
3."Sing"   Williams3:55
  • Sheeran
  • McDaid
8."Tenerife Sea"  
  • Sheeran
  • Williams
10."The Man"  SheeranGosling4:09
11."Thinking Out Loud"  
12."Afire Love"  
  • Sheeran
  • McDaid
  • Vance
Total length:


All credits taken from album liner notes.[45]
Main personnel
  • Ed Sheeran – lead vocals, acoustic guitar, electric guitar, handclaps on "I'm a Mess" and "Nina", instrumentation and programming on "Don't", violin on "I See Fire", production on "I See Fire"
  • Jake Gosling – production, engineering, programming and drums on "One", "I'm a Mess", "Nina", "The Man", "Thinking Out Loud", "Shirtsleeves" and "Even My Dad Does Sometimes", percussion on "I'm a Mess", "Nina", "Thinking Out Loud" and "Shirtsleeves", piano and handclaps on "I'm a Mess" and "Nina", synths on "Nina", Rhodes on "The Man", strings and horns on "One", bass guitar on "Even My Dad Does Sometimes"
  • Pharrell Williams – production and background vocals on "Sing", production on"Runaway"
  • Benny Blanco – production, instrumentation and programming on "Don't"
  • Rick Rubin – production on "Don't", "Bloodstream", "Tenerife Sea" and "Take It Back", instrumentation and programming on "Don't"
  • Johnny McDaid – production and engineering on "Afire Love" and "All of the Stars", programming on "Afire Love", keys on "Tenerife Sea" and "Bloodstream", guitars, bass, backing vocals, percussion, piano, Hammond on "Afire Love"
  • Jeff Bhasker – production, piano, keys and bass guitar on "Photograph"
  • Foy Vance – backing vocals on "Afire Love"
  • Amy Wadge – piano on "Even My Dad Does Sometimes"
  • Geoff Swan – engineering on all standard edition tracks
  • Mike "Spike" Stent – mixing on all standard album tracks
  • Ruadhri Cushnan – mixing on all deluxe edition tracks, excluding "I See Fire"
  • Grant Rawlinson – assistant mixing on "Take It Back", "Shirtsleeves" and "Even My Dad Does Sometimes"
  • Pete Cobbin – mixing on "I See Fire"
  • Kirsty Whalley – mixing on "I See Fire"
  • Stuart Hawkes – mastering
Additional personnel
  • Adam Coltman – assistant engineer on "One"
  • William Hicks – additional vocal editing on "I'm a Mess", "Don't" and "The Man", engineering on "Don't"
  • Chris Leonard – guitars and bass guitar on "I'm a Mess", "Nina" and "Thinking Out Loud", guitars on "The Man" and "Even My Dad Does Sometimes", handclaps on "I'm a Mess" and "Nina"
  • Andrew Coleman – recording, digital editing, arrangement and additional guitars on "Sing" and "Runaway"
  • Ramon Rivas – recording assistant on "Sing" and "Runaway"
  • Rob Sucheki – recording assistant on "Sing" and "Runaway"
  • Chris "Anger Management" Sclafani – engineering on "Don't"
  • Jason Lader – engineering, keyboards and bass guitar on "Don't", recording and keyboards on "Bloodstream" and "Tenerife Sea", bass guitar on "Tenerife Sea"
  • Matty Green – engineering on "Don't"
  • Andrew "McMuffin" Luftman – production coordination on "Don't"
  • Seif "Mageef" Hussain – production coordination on "Don't"
  • Dave Hanych – production coordination on "Don't", "Bloodstream" and "Tenerife Sea"
  • Ricardo Kim – assistant production on "Don't", "Bloodstream" and "Tenerife Sea"
  • Johnnie Burik – assistant production on "Don't", "Bloodstream" and "Tenerife Sea"
  • Sean Oakley – additional recording and digital editing on "Don't", "Bloodstream" and "Tenerife Sea"
  • Joshua Smith – additional recording on "Don't", "Bloodstream" and "Tenerife Sea"
  • Eric Lynn – additional recording on "Don't", "Bloodstream" and "Tenerife Sea", keyboards on "Bloodstream" and "Tenerife Sea"
  • Eric Cardieux – digital editing on "Don't", "Bloodstream" and "Tenerife Sea"
  • Christian "Leggy" Langdon – digital editing on "Don't", "Bloodstream" and "Tenerife Sea"
  • Adam MacDougall – keyboards on "Don't" and "Bloodstream"
  • Lenny Castro – percussion on "Don't", "Bloodstream" and "Tenerife Sea"
  • Luis Conte – percussion on "Don't", "Bloodstream" and "Tenerife Sea"
  • Matthew Gooderham – assistant engineer on "Nina"
  • Ed Howard – handclaps on "Nina"
  • Emile Haynie – additional production and drum programming on "Photograph"
  • Tyler Sam Johnson – engineering, electric guitar and drum programming on "Photograph"
  • Davide Rossi – string arrangement on "Photograph", live strings on "Afire Love"
  • Chris Dave – drums on "Bloodstream" and "Tenerife Sea"
  • Blake Mills – guitar on "Tenerife Sea"
  • Peter Gosling – piano on "Thinking Out Loud"
  • Geoff Leaa – drums on "Afire Love"
  • Coco Arquette – additional vocals and gang percussion on "Afire Love"
  • Courtney Cox – additional vocals and gang percussion on "Afire Love"
  • Eamon Harkin – additional vocals and gang percussion on "Afire Love"
  • Nigel Collins – cello on "I See Fire"
  • Steve Gallagher – recording on "I See Fire"
  • Graham Kennedy – recording on "I See Fire"



RegionCertificationCertified units/Sales
Australia (ARIA)[206]Diamond500,000^
Austria (IFPI Austria)[207]Platinum15,000*
Canada (Music Canada)[208]3× Platinum240,000^
Denmark (IFPI Denmark)[209]4× Platinum80,000^
France (SNEP)[210]2× Platinum200,000*
Germany (BVMI)[211]3× Platinum0^
Hungary (MAHASZ)[212]Platinum6,000^
Italy (FIMI)[213]Platinum50,000*
New Zealand (RMNZ)[214]8× Platinum120,000^
Norway (IFPI Norway)[215]Gold15,000*
Poland (ZPAV)[216]Diamond100,000*
Portugal (AFP)[217]Platinum15,000^
Spain (PROMUSICAE)[218]Gold20,000^
Sweden (GLF)[219]Platinum40,000^
Switzerland (IFPI Switzerland)[220]2× Platinum60,000^
United Kingdom (BPI)[221]9× Platinum2,700,000^
United States (RIAA)[222]4× Platinum4,000,000double-dagger
*sales figures based on certification alone
^shipments figures based on certification alone

Release history[edit]

Australia[223][224]20 June 2014Digital download
New Zealand[227][228]
United Kingdom[138][140]23 June 2014
United States[229][230]

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